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Journal of Design History Advance Access originally published online on September 21, 2007
Journal of Design History 2007 20(3):243-257; doi:10.1093/jdh/epm015
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© The Author [2007]. Published by Oxford University Press on behalf of The Design History Society. All rights reserved.

Craft, Souvenirs and the Commodification of National Identity in 1970s’ Scotland

Andrea Peach

Gray's School of Art, Robert Gordon University, Aberdeen

E-mail: a.peach{at}rgu.ac.uk


  Abstract

This article explores the relationship between craft, national identity and the souvenir in 1970 Scotland. Britain experienced a revival of craft practice generally in 1970s’ Scotland, but this paper argues that what happened in Scotland was distinct. The tourism industry in Scotland created a demand for objects representing ‘Scottishness’, with craft objects being consumed as souvenirs. This commodification of craft was supported by Scottish funding bodies, which encouraged craft practice as small business activity. Despite attempts by organizations such as the Highlands and Islands Development Board (HIDB) to regulate the quality of craft objects and promote a more contemporary identity for them, the prevailing consumer demand was for objects that reflected a historicist version of Scotland. Examining debates within 1970s’ magazine Craftwork – Scotland's Magazine of the Crafts, as well as reports from the HIDB, this article illustrates that although tourism provided an opportunity to sustain and revitalize craft production in 1970s’ Scotland, it did little to support a more contemporary craft aesthetic.

Key Words: 1970s • craft history • national identity • Scotland • souvenirs • tourism

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