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<title><![CDATA[Archives and Collections: The Waddesdon Manor Trade Cards: More Than One History]]></title>
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<description><![CDATA[Katie Scott<br />Mar  1, 2004; 17:91-104<br />Articles]]></description>
<dc:creator>Katie Scott</dc:creator>
<dc:date>2004-03-01</dc:date>
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<dc:title><![CDATA[Archives and Collections: The Waddesdon Manor Trade Cards: More Than One History]]></dc:title>
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<title><![CDATA[The Language of Success: Marketing and Distributing Semi-luxury Goods in Eighteenth-century Paris]]></title>
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<description><![CDATA[Natacha Coquery<br />Mar  1, 2004; 17:71-89<br />Articles]]></description>
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<dc:title><![CDATA[The Language of Success: Marketing and Distributing Semi-luxury Goods in Eighteenth-century Paris]]></dc:title>
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<title><![CDATA[Appropriate Geography: Patrick Abercrombie and the Energy of the World]]></title>
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<description><![CDATA[DAVID MATLESS<br />Jan  1, 1993; 6:167-178<br />Articles]]></description>
<dc:creator>DAVID MATLESS</dc:creator>
<dc:date>1993-01-01</dc:date>
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<dc:title><![CDATA[Appropriate Geography: Patrick Abercrombie and the Energy of the World]]></dc:title>
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<title><![CDATA[The Tufted Carpet in Britain: Its Rise from the Bottom of the Pile, 1952 1970]]></title>
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<description><![CDATA[JUDY ATTFIELD<br />Jan  1, 1994; 7:205-216<br />Articles]]></description>
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<dc:title><![CDATA[The Tufted Carpet in Britain: Its Rise from the Bottom of the Pile, 1952 1970]]></dc:title>
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<title><![CDATA[Shop Design and the Display of Goods in Eighteenth-Century London]]></title>
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<description><![CDATA[CLAIRE WALSH<br />Jan  1, 1995; 8:157-176<br />Articles]]></description>
<dc:creator>CLAIRE WALSH</dc:creator>
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<dc:title><![CDATA[Shop Design and the Display of Goods in Eighteenth-Century London]]></dc:title>
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<title><![CDATA[Manufacturing Outside the Capital: The British Porcelain Factories, Their Sales Networks and Their Artists, 1745 1795]]></title>
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<description><![CDATA[HILARY YOUNG<br />Jan  1, 1999; 12:257-269<br />Articles]]></description>
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<dc:title><![CDATA[Manufacturing Outside the Capital: The British Porcelain Factories, Their Sales Networks and Their Artists, 1745 1795]]></dc:title>
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<title><![CDATA[Concepts of Invention, Identity and Imitation in the London and Provincial Metal-working Trades, 1750 1800]]></title>
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<description><![CDATA[HELEN CLIFFORD<br />Jan  1, 1999; 12:241-255<br />Articles]]></description>
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<dc:title><![CDATA[Concepts of Invention, Identity and Imitation in the London and Provincial Metal-working Trades, 1750 1800]]></dc:title>
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<title><![CDATA[A Nation of Shopkeepers: Trade Ephemera from 1654 to the 1860s in the John Johnson Collection]]></title>
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<description><![CDATA[Helen Clifford<br />Jan  1, 2002; 15:275-280<br />Reviews]]></description>
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<dc:title><![CDATA[A Nation of Shopkeepers: Trade Ephemera from 1654 to the 1860s in the John Johnson Collection]]></dc:title>
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<title><![CDATA[The Swiss Connection: International Networks in some Eighteenth-Century Luxury Trades]]></title>
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<description><![CDATA[Roger Smith<br />Jun  1, 2004; 17:123-139<br />Articles]]></description>
<dc:creator>Roger Smith</dc:creator>
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<dc:title><![CDATA[The Swiss Connection: International Networks in some Eighteenth-Century Luxury Trades]]></dc:title>
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<title><![CDATA[The Better and Brighter Clothes: The Men's Dress Reform Party, 1929 1940]]></title>
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<description><![CDATA[BARBARA BURMAN<br />Jan  1, 1995; 8:275-290<br />Articles]]></description>
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<dc:title><![CDATA[The Better and Brighter Clothes: The Men's Dress Reform Party, 1929 1940]]></dc:title>
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<title><![CDATA[Walter Crane 1845 1915: Artist, Designer and Socialist]]></title>
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<description><![CDATA[HAZEL CLARK<br />Jan  1, 1990; 3:79-79<br />Book Reviews]]></description>
<dc:creator>HAZEL CLARK</dc:creator>
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<dc:title><![CDATA[Walter Crane 1845 1915: Artist, Designer and Socialist]]></dc:title>
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<title><![CDATA[Designing Synthetics, Promoting Brands: Dorothy Liebes, DuPont Fibres and Post-war American Interiors]]></title>
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<description><![CDATA[Regina Lee Blaszczyk<br />Jan  1, 2008; 21:75-99<br />Articles]]></description>
<dc:creator>Regina Lee Blaszczyk</dc:creator>
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<dc:title><![CDATA[Designing Synthetics, Promoting Brands: Dorothy Liebes, DuPont Fibres and Post-war American Interiors]]></dc:title>
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<title><![CDATA[The Bachelor Pad as Cultural Icon: Masculinity, Consumption and Interior Design in American Men's Magazines, 1930-65]]></title>
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<description><![CDATA[Bill Osgerby<br />Jan  1, 2005; 18:99-113<br />Articles]]></description>
<dc:creator>Bill Osgerby</dc:creator>
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<dc:title><![CDATA[The Bachelor Pad as Cultural Icon: Masculinity, Consumption and Interior Design in American Men's Magazines, 1930-65]]></dc:title>
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<title><![CDATA['The New Heraldry': Stock Photography, Visual Literacy, and Advertising in 1930s Britain]]></title>
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<description><![CDATA[HELEN WILKINSON<br />Jan  1, 1997; 10:23-38<br />Articles]]></description>
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<dc:title><![CDATA['The New Heraldry': Stock Photography, Visual Literacy, and Advertising in 1930s Britain]]></dc:title>
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<title><![CDATA[Humanizing Modernism: The Crafts, 'Functioning Decoration' and the Eameses]]></title>
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<description><![CDATA[PAT KIRKHAM<br />Jan  1, 1998; 11:15-29<br />Articles]]></description>
<dc:creator>PAT KIRKHAM</dc:creator>
<dc:date>1998-01-01</dc:date>
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<dc:title><![CDATA[Humanizing Modernism: The Crafts, 'Functioning Decoration' and the Eameses]]></dc:title>
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<title><![CDATA[Consumption and the Rhetorics of Need and Want]]></title>
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<description><![CDATA[COLIN CAMPBELL<br />Jan  1, 1998; 11:235-246<br />Articles]]></description>
<dc:creator>COLIN CAMPBELL</dc:creator>
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<dc:title><![CDATA[Consumption and the Rhetorics of Need and Want]]></dc:title>
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<title><![CDATA[Visions of Plenty: Refrigerators in America around 1950]]></title>
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<description><![CDATA[SANDY ISENSTADT<br />Jan  1, 1998; 11:311-321<br />Articles]]></description>
<dc:creator>SANDY ISENSTADT</dc:creator>
<dc:date>1998-01-01</dc:date>
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<dc:title><![CDATA[Visions of Plenty: Refrigerators in America around 1950]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA['A Different and New Refinement': Design in Barcelona, 1960 1990]]></title>
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<description><![CDATA[Viviana Narotzky<br />Jan  1, 2000; 13:227-243<br />Articles]]></description>
<dc:creator>Viviana Narotzky</dc:creator>
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<dc:title><![CDATA['A Different and New Refinement': Design in Barcelona, 1960 1990]]></dc:title>
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<title><![CDATA[How to Have a 'Good Home': The Practical Aesthetic and Normativity in Norway]]></title>
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<description><![CDATA[Pauline Garvey<br />Jan  1, 2003; 16:241-251<br />Articles]]></description>
<dc:creator>Pauline Garvey</dc:creator>
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<dc:title><![CDATA[How to Have a 'Good Home': The Practical Aesthetic and Normativity in Norway]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Arachne's Genre: Towards Inter-Cultural Studies in Textiles]]></title>
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<description><![CDATA[SARAT MAHARAJ<br />Jan  1, 1991; 4:75-96<br />Articles]]></description>
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<dc:title><![CDATA[Arachne's Genre: Towards Inter-Cultural Studies in Textiles]]></dc:title>
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<title><![CDATA['Anyone Designing Anything?' Non-Professional Designers and the History of Design]]></title>
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<description><![CDATA[PHILIP PACEY<br />Jan  1, 1992; 5:217-225<br />Articles]]></description>
<dc:creator>PHILIP PACEY</dc:creator>
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<dc:title><![CDATA['Anyone Designing Anything?' Non-Professional Designers and the History of Design]]></dc:title>
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<title><![CDATA['Give 'em something dark and heavy': The Role of Design in the Material Culture of Popular British Furniture, 1939 1965]]></title>
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<description><![CDATA[JUDY ATTFIELD<br />Jan  1, 1996; 9:185-201<br />Articles]]></description>
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<dc:title><![CDATA['Give 'em something dark and heavy': The Role of Design in the Material Culture of Popular British Furniture, 1939 1965]]></dc:title>
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